The urge to go gadget crazy, when getting a new hobby, or reviving an old one, is a real thing. Having recently bought the new guitar with a view to trying to learn to play properly, it's something I'm very mindful of and doing my best to avoid. However, in the middle of the week I did crack and buy one little extra thing:

As I said in the previous blog post about the guitar: I ended up getting something that could be played acoustic without being annoying for neighbours, which in turn meant I didn't need any sort of amp, or pedals, etc. This has been working out just fine. But early last week, in an idle moment, I was looking up what might be good options for a small amp for practising should I want to and I stumbled on the Mustang Micro.

Reading up on it and checking out some reviews, it sounded perfect for my setup. I enjoy living in a small space, so could do without a proper amp kicking about, so something that just plugs right into the guitar sounded ideal.

I added it to a list of things to keep in mind and then... a couple of days later I was working from home which meant I'd be about to receive a delivery if I was to place an order and... oops!

I've been using it every day since it turned up and I'm so damn impressed! This thing might be small, but it's pretty mighty! For a complete notice like me, to muck about, and fiddle and get some great sounds out of it, I couldn't have asked for anything more.

The range of amp styles is way more than I could possibly do justice right now, but what's important for me is it's got versions that are nice and clean, and versions that are dirty and distorted. The effects are pretty much spot on too; there's everything I could ever possibly want there.

My only real complaint about it is that the UI itself -- small lights that use colour to indicate their setting -- is terrible. I don't know how else they could have done it, but I know this is bad. I am at least grateful that it's standalone and doesn't require some app on a phone to control or something like that.

I know it's going to take a while for me to get the most out of this, but already it's giving me a bit more confidence to experiment and doodle away in idle moments. Also, the USB connection means it can be plugged into my Mac, presumably allowing me to record with GarageBand or similar software. While I wouldn't use it to subject anyone to my terrible playing, that will be something for me to explore in terms of keeping a record of my progress.

This one has been brewing for a year, more or less. Now that I commute into and back from Edinburgh most days of the working week, I find myself walking past a couple of music shops. Seeing these reminds me of the days, back in my 20s, when I mucked around in a couple of bands and had fun making noises on a bass guitar. Since that time I've also owned a cheap six string electric, which is currently in storage (and has been since 2016) and an acoustic, which I have with me but I live in an apartment building and I'm not an arsehole so I never play it.

So, yeah, walking past those shops has made me want to muck about on a guitar again. I've never properly learnt the guitar, I've just managed to learn enough chords to make some noises I like for my own amusement, but even then I've not picked one up since around 2016 and what little I do know is very rusty.

Add to the above: earlier this year I was at a friend's and admiring her collection of bass and six string guitars and picked a couple up and realised I could not play anything. It had been too long, I'd lost most muscle memory and coordination, and what little knowledge I had.

So this made me want to fix this even more.

Given the apartment thing I decided on a plan: how about I get an eclectic, and then some sort of amplification that would always rely on headphones? Given such a setup I could knuckle down and try and learn properly.

So, this week, being on holiday, I told myself I'd pop into Edinburgh one day and have a look at my options; perhaps even come home with something. Yesterday was that day.

It didn't quite go to plan, but the outcome was that I ended up with something to play.

So, on getting into the shop, and explaining what I was after and why to the chap in there, I tried the usual Stratocaster and Telecaster thing. Both were fine (I think I liked the feel of the Telecaster more in my hand). I had one eye on a Les Paul too, but never tried that. What I did see though was this rather lovely black Höfner.

Now, of course, it's hollow body, so sort of has that acoustic thing going on. This isn't what I wanted for playing in an apartment. But I had to try it anyway. As soon as I started dabbling I was sold. The sound was enough that it would be easy to pick up and play without having to faff with amplification of any sort, on the other hand it was nowhere near as loud as my acoustic. I felt like it bridged the gap between easy to pick up, and versatile enough should I ever want to plug it into something.

And... let's be honest: it was black. Sooooo black. I like black.

Long story short... it had to come home with me!

As mentioned earlier: most of my guitar stuff is still in storage, from when I moved to Scotland, but I did find my old tin of plectrums and the tuner.

(Yes, the tin was once mine and was once full; the early 90s were a different time)

I even found one of my old stands, that I've had since around 1991! So now it's set up in my living room, next to the PCVR rig, ready to go at a moment's notice.

This is my plan now: each weekend I aim to put in at least an hour a day of practice, to try and get my fingers up to strength again, and to build up the muscle memory of where the strings are, to get the coordination between both hands, etc. I'm also going to be working through beginner's lessons from a tutor application. I'm going to treat this like I'm the complete novice I am and slowly work on improving.

There's no end goal; other than just get proficient enough that I can muck about on my own and be happy that I can play the sorts of things I want to be able to play.

Also, it's good to learn new stuff, especially new stuff that isn't just more coding.

As mentioned just over a week back, last night I went to see a Fringe show that was a production of The Little Shop of Horrors. Before going I had no idea what to expect (in terms of how it would be done, not what the content would be): I wasn't clear if it would be a really small affair, or something on a bigger stage with reasonably high production values (what can I say? It was LSoH, it was a Fringe show, it was booked knowing nothing else).

When we got there and got into the venue it was... small, oh so very small! No real set to speak of. The cast who were about to kick off the performance didn't really seem to have much of a costume going on. So, without judgement, I settled down to expect the next 90 minutes or so to be... a Fringe experience.

First impressions were oh so wrong! While there was (for obvious reasons) a lack of any real set, the effort that went into the performance really worked and I absolutely enjoyed every single moment. Also, because it was a production of the musical (which I haven't seen), rather than an adaption of the movie (which I have), I got to experience a fresh ending (spoilers!).

The seats were uncomfortable. The room was down in the basement, with no ventilation, and so was uncomfortably hot. Physically it wasn't a great space to be. And yet I really wasn't wishing for it to be over. I think that says a lot about the show itself.

I think special mention has to be given to the Audrey II models, of which there were three different sizes. Someone put some real effort into them.

So, yeah, a fun night, topped and tailed with pre-show dinner and post-show drinks with friends. I couldn't have asked for more.

Unless I last-moment book anything else over the next week, there's one more show to go in my push to go and see at least one show per week of the Fringe.

PS: Sadly no photos. I wasn't sat in a great spot to take photos.

As mentioned about a week back, my first show booked for this year's Edinburgh Fringe was to see Nick Harper. It's been a long time since I've seen him; far too long. As best as I can tell the last gig I made it to was in 2009.

Fourteen years. Shit's changed in that time, for me, for the world. O_o

On first getting into town it was warm and crowded, with that fun "town is doing festival shit" vibe that I like, so I went and grabbed an ice cream to kill some time until the venue opened. I knew I was in the right spot when, as I stood on Chambers Street, enjoying the cooldown, the man himself dashed passed, guitar case in hand!

When I got into the venue I grabbed a drink and tried to find a seat; most were taken; except for one right at the front and off to the side. So I grabbed it. Moments later Nick himself came over to say hello to the folk sat in this spot. We had a wee chat about how long it was since I'd last seen him, nattered about general stuff, and he said very nice things about my hat.

The gig itself was fantastic. While I love his recorded work anyway, Nick's always been one of those artists who I enjoy most live. He's got this way of singing and playing guitar that fills whatever time he's got to play; never once have I ever found myself looking at my watch, wondering if it's near the end; or if I have it's because I'm worried it'll be over soon.

A good number of the tracks he played I didn't recognise; at least two of them I know are from a new album that's coming, and I have to admit that when I do listen to his stuff it's the earlier works that tend to go into heavy rotation (I think the last album of his I bought was The Last Guitar). But I loved everything I got to hear. I'll be diving back into his catalogue and also keeping an eye out for the new release.

While there was only an hour for his slot, he did manage to get a couple of old favourites of mine in; I was delighted when he launched into By My Rocket Comes Fire, did a wonderful She Rules My World, and even squeezed in a quick Galaxy Song.

All too quickly though, the hour was up. It was kind of fitting that many of the songs he did have on the set list were all about time (on purpose, I'm sure). I'm happy to say I got to say a quick thank you and goodbye and then it was time for me to head out of town again.

Seeing Nick brought back a lot of good memories, and reminded me that I need to catch up on his more recent works. While most of his stuff doesn't seem to be on Apple Music (what can I say, I'm very online these days when it comes to music), I'm glad to see he's got a full Bandcamp, so I'll be paying that a visit!

I hope he swings back this way some time soon, not during the Fringe, and with a proper long set. It's been too long since I got to enjoy him really going for it and having a ton of fun.

I almost feel bad admitting this. For someone my age it feels like a thing you should not really admit, but here goes... I only saw Little Shop of Horrors for the first time back in 2020. Don't ask me why. I just... never got round to it. I've known plenty of people who have seen it and loved it. I had a girlfriend for a while in the late 80s who was obsessed with it. She, like plenty of people I know, would quote all the quotes from it.

And yet... yeah, I never got round to seeing it.

Until 2020. On first viewing it became really bloody obvious why so many people seem to love it.

So you can imagine my delight when, earlier this week, I was fighting through the Edinburgh crowds to get to my bus home and I saw this:

Oh yes please! Oh so yes please! Given my desire to try and take in a few more Fringe shows that I normally would, this year, this seemed like a perfect fit. It also solved the choice paralysis problem for at least one week (really, have you seen how much there is on offer?).

So today I booked some tickets for myself and a couple of friends. Next week's "try and see at least one Fringe show" problem is solved: I'm going to go and see a performance of Little Shop of Horrors.

I've lived near Edinburgh for getting on well over 6 years now and, aside form the odd show here and there, I've never really done the Fringe. As in, really dived in. Since moving up here my life situation didn't quite allow for it and then the pandemic hit and... well, you can imagine. Every year I've been up here I've managed one show, at least, but this year I want to try and make myself get to a few.

Maybe one per week. Possibly.

Might not happen, but I'm going to try. What can I say? I don't live in Edinburgh, I'm not a big "be out amongst people" kind of person, and the activation energy to get on a bus into town vs what I can do in my little part of Scotland is a constant battle.

But this year I'm going to try my best.

This evening I've booked a ticket for an artist I've been a fan of since the 1990s: Nick Harper. I saw Nick quite a few times in the 200xs (see the image above, I think 2009 might be the last time I saw him!) and then my going to gigs tailed off somewhat (again, life stuff). So seeing that he's playing here for a few days was something I could not ignore.

This weekend me can thank Monday me for committing him to doing something kinda sociable. I'm sure he'll be mad at me most of the day it's happening, but once it all kicks off and the music is flowing he'll be thankful.

Right now, at this moment... I'm rather looking forward to it.

More than ever I'm listening to music while I work. Despite having grown up in the 80s, and so having a good vinyl collection, and then having got into buying all the CDs in the 90s and 00s, these days I have managed to embrace the "just stream all the things" approach. After a long time using Spotify I finally ended up migrating to Apple Music.

One of the things I do find Apple Music does well is the whole "you seem to like this, have you tried this?" thing; which on occasion has resulted in a pretty neat rabbit hole of discovery.

Earlier this year this happened with female-fronted Dutch goth/rock type bands. I don't even remember how that happened, but it's a thing that happened and I gleefully dived right in. I came away with a few names I didn't know before, but one album has really stuck in my head and, now that we're just over 1/2 way through the year, I feel it's the one that gets played more than anything else.

This keeps creeping back to the top of things I'm playing; sometimes when I'm in "bang on the keyboard lots" coding mode (you know the sort of coding mode: where you don't have to think too much because you have a good plan for what you're doing, but you've got a lot of tapping away to do), plus also often while I'm in the car.

I won't be the least bit surprised to find that this ends up being my most-played album this year. According to last.fm it's at the top of the albums I've played (in places where I have scrobbling set up) in the last 365 days.